Philosophy
My reasons for making jewelry in the manner I do include the belief that when we experience a poignant work of art, we experience the same spirit that motivates the artist. For this reason I have rejected making my jewelry in any manner that does not connect my hands with each gemstone I cut and every piece of jewelry I create. Essential for this artist to connect with the creative spirit are the hammers, anvils and flames associated with the ancient traditions of metal forging and casting.
I tend to make mostly one of kind pieces utilizing traditional metal smithing practices that require a high degree of concentration and focus on the moment; this practice allows the creative spirit to take over; the tools and the hands communicate and drive the process providing intuitive designs, techniques and revelations deep within my creative experience.
Since 1985 one of a kind creations in silver, gold, rare gemstones and minerals have been flowing from my studio in Brattleboro, Vermont a bustling Vermont Village amidst mountains, rivers and a remarkable populace. Today, with my apprentices we continue the traditions of the ancient metal smiths and designers that have paved the way for centuries creating meaningful adornment.
I tend to make mostly one of kind pieces utilizing traditional metal smithing practices that require a high degree of concentration and focus on the moment; this practice allows the creative spirit to take over; the tools and the hands communicate and drive the process providing intuitive designs, techniques and revelations deep within my creative experience.
Since 1985 one of a kind creations in silver, gold, rare gemstones and minerals have been flowing from my studio in Brattleboro, Vermont a bustling Vermont Village amidst mountains, rivers and a remarkable populace. Today, with my apprentices we continue the traditions of the ancient metal smiths and designers that have paved the way for centuries creating meaningful adornment.
